Painting in South Africa ~

At this time of year it is high summer in South Africa.

When I lived in the Waterberg I went riding every morning before breakfast,

returning for mealie pap and bananas fried with crispy bacon

before settling down to paint in a room looking out over this lovely garden.

You too can stay with my friends on Triple 'B' Ranch 

~ home to Waterberg Cottages as well as Horizon Horseback Adventures 

with Ant's Nest and Ant's Hill  near by ~

Sketching in the Okavango Delta ~

Macateer, that camp where I spent time sketching in the western delta ~

jotting down impressions,

trying to paint the bush as darkness fell,

...sketching vignettes of

horses and wildlife

to add to maps I drew of the area

Have you ever been to Damaraland?

I first went to Damaraland on a recce for the BBC Natural History Unit.

I wanted to return as soon as possible to spend time painting in the desert.

It's one of the last great wildernesses.

I was able to use this small reed hut as a base for ten days.

It gave me time to experiment.

Geese I have drawn ~

I have always loved sketching geese. I drew these when I was exhibiting at the Wildfowl and Wetlands Trust at Slimbridge. I was there talking on otter conservation. With out two otters. I am sure you can understand that not that much was achieved in the way of painting and can only imagine what happened when one of the otters escaped.

My South African friend Rupert Baber - who appears in Ride the Wings of Morning - bought five geese as a security measure. They wandered around the garden honking at strangers. I thought they were lovely. The only problem was that they had to be shut up on the tennis court at night so that they were secure themselves. It actually made them easier to paint.

An acrylic on canvas.

Back in England I drew a goose standing on the ice, executed by using a glass tube ~ thick black ink on smooth cartridge paper.

I made prints and experimented with different backgrounds. Many of the resultant geese were auctioned to raise money for charity.

The end result was an award-winning painting. We used the image for invitations and charity Christmas cards. I framed and exhibited black and white prints in a number of galleries, including the shop at Slimbridge. It proved the goose that laid the golden egg - or golden prints anyway.

All sketches on the blog are featured in 'Ride the Wings of Morning' and are (c) Sophie Neville. Please contact me if you need to use them on sophie@sophieneville.co.uk